Heavyball Give Us The Inside On Their Brand New Album “When Can Start?”


With the much anticipated release of brand new album ‘When Can You Start?’, the guys from Heavyball managed to have a little talk through the release and explain, why they chose the subject of a normal working week as the theme for their new venture.

So, What can you tell us about the new album? Where did you get the ideas?

“When Can You Start? recounts a week in the life of an ordinary office worker. The diary of a nobody who represents everybody. He doesn’t know it, but this week is different. Because this week is his last on earth”.  

“Storytelling, humor and everyday observations wrapped up in sharp melodies.  When Can You Start? is a story of the very ordinary told differently”.

Can you give us a taste of one of your songs, What does it tell us, What stories do you explore? 

“The first track to be released from the album is ‘Top of Your Game’. You used to be someone, you used to be a contender.  Now you work in an office doing nothing of consequence for people you hate.  The memories are still there though, and there’s still a small chance you could still make it big!”

How would you guys describe Heavyball for people that have never encountered you before?

“Heavyball are a self titled ‘new tone’ 4 piece band originally from Nottingham; signed to Magnetic North Melodies.”

So there you have it, a little pre release teaser, be sure sure to stay up to date with all things Heavyball:


Soundcloud: https://soundcloud.com/heavyball       

Spotify: https://open.spotify.com/album/7l1XJIYCH6Kop2j6plDWvk

Youtube: https://www.youtube.com/user/HeavyballTV/videos   

Facebook: www.facebook.com/Heavyball/

Twitter: www.twitter.com/heavyballreal

Instagram: www.instagram.com/heavyballreal/         

Website: www.heavyball.net  

In conversation with: Temper Cartel

We’ve been having a chat with with the boys from indie-rock four-piece Temper Cartel, who are looking to make a name for themselves with their new single ‘Babysitter’, for which the video is out 9th August! Check it out here:


When did you first get into music? What or who Inspired you?

Josh Alden – ” I think that I got into music through film, probably. I was obsessed with the TV from a very, very young age. My mum and dad were both working so I would get dropped off at my Grandparents (on my mum’s side) and we would watch old westerns and lots of 50’s and 60’s films etc. The music is just great in those films, and a lot of them just turn into musicals half way through or stick a song in! I think that was probably the first introduction to the power of music whether I knew it or not.”

Sam Alden – “Our Grandad was a drummer in a couple of different jazz bands, he sung too. We used to go and watch him play a lot and it influenced Josh to pick up the sticks and start playing drums but later he switched to guitar. Josh is older than me so by the time I was his age I had got into drums because of our granddad too. But I stuck with it, so now I play drums in the band.”


Who did you grow up listening to, and does that impact on what you create now?

Josh Alden – “If I’m honest… Chas n’ Dave, Michael Jackson and Roy Orbison! Haha my grandparents used to take me to Somerset a lot, on the drive I would sit in the back and sing along to Roy Orbison. They just had a tape player in the car and we used to take a pile with us, I was always asking my grandma to change it to the next song, so she was taking tapes out and putting new ones in for the whole journey! It would go from Roy Orbison ‘working for the man’ to Chas n’ Dave ‘London Girls’ then finish on Michael Jackson  ‘Man in the mirror’ then I’d ask for Roy Orbison again. I think everything you’ve seen and heard has to play a part in how you write songs but I couldn’t pin point what music and when has made me write how I write or what I write.


How long have you been playing/writing?

Danny Fisher – “I think all of us have been playing instruments since we were kids, I started at 6.”

Josh Alden – ” I started writing songs in the styles of people I liked around 12 years old. So I would listen to the pattern of a Nirvana song and then try and write my own. That’s how I started writing. Then you realise that you can’t write them as well as those people so you move on to another style and learn that. Gradually you mature and grow as a songwriter and before you know it you’ve studied lots of styles and in the process, found your own.”


How often do you play live?

Sam Alden – “we started out playing every week to get the experience. Now we play once every 2 or 3 weeks. We’ve been enjoying gigs in London, Oxford and Brighton. We want to venture out and go up North but for now this is where we are building a fan base. Our next gig is in London at –


What has been your favourite moment in music?

Everton Barbato – I think for all of us our highlights have been recording with Mark Gardener, finishing the album and supporting The Strypes. They’re nice guys, great musicians and really good at what they do.”


Where is the best place to find you online?

Danny Fisher – ” it depends on what you prefer to use I guess, you can catch us on Instagram (@tempercartel) which we use for more silly stuff, messing around in rehearsal etc.”

Sam Alden – “Or Twitter (@tempercartel) for links to articles or radio shows we’ve been on. But if you want a bit of everything including gig info, vids and pics, then Facebook @Tempercartel or our website www.tempercartel.com will have everything you need.”

Josh Alden – “We will be posting links to our new video Babysitter on Wednesday 9th August across all of these platforms!”



In conversation with: Short Sharp Scratch


This week, we’ve been lucky enough to have a chat with long time producer/songwriter, Jak Chantler, of Short Sharp Scratch who is currently releasing his latest soul-funk hybrid single ‘Shell Suit’. Here’s what he had to say:


When did you first get into music? What or who Inspired you?

My earliest musical memory is my mum making deliveries in her pickup truck for the family business, my sister and I strapped in together in the front seat (it was the 80s!), with Appetite for Destruction blaring out the truck stereo.  Mum always used to turn the volume down at the sweary bits!

When I was about 10 I rediscovered this record and it inspired me to start playing guitar.


Who did you grow up listening to, and does that impact on what you create now?

I was obsessed with rock growing up, back then you were not allowed to enjoy other stuff too as it was seen as soft, so for many years I also had a secret pop and disco flirtation.  Thank goodness when you reach the age where you can proudly enjoy all music! I’m not sure if it’s like that for rock kids today, I think people can listen to whatever they like peer pressure free!


How long have you been playing/writing?

I started out writing guitar parts for my old band Kingskin.  As we got busier with gigs our singer was less interested in writing lyrics so I started doing that just as it had to get done in order to finish anything.  Then at some point I discovered Prince and saw that he would write, play and record everything!  I’m not on that level as he is a God as far as I’m concerned, but it definitely helped me.


How often do you play live?

I am very busy live performer, it’s often private events.  However there are some live opportunities coming up, watch this space…

What has been your favourite moment in music?

My best experience has been either recording with Steve Albini in Chicago or recently I got to record my new single Shell Suit at Abbey Road

Where is the best place to find you online?


‘Shell Suit’ is set for release 15th September.

Introducing: Luna Blue

Band photo

Brighton’s latest musical sensation has emerged in the form of recent University of Chichester graduates, Luna Blue, and they’re making their mark on the scene with their unique brand of funky indie-pop. Here’s what they had to say:

When did you first get into music? What or who Inspired you?

Ryan: I first fell in love with music at about the age of 5/6 where I would listen to a huge amount of AC/DC and Guns n Roses, when I got to about 15 I discovered Jimi Hendrix and this man alone gave me a huge drive to become a guitarist.

Seb: My brother got me really into music when he came home with CDs from the likes of Limp Bizkit, Linkin Park and Korn. I was always fascinated with the powerful drumming in these tracks after I picked up the drums at a young age. But my real inspiration came from two albums in particular. The first was Dream Theater’s Train of Thought. Some of Mike Portnoy’s drumming in songs like Honor Thy Father opened me up to what real powerful, fast and complex drumming sounded like, whereas Danny Carey’s drumming throughout Tool’s Lateralus made me realise just how creative and musical you could really be behind a drum kit.

Tom: I was classically trained on the piano from the young age of seven, being inspired by artists such as Ludovico Einaudi and Chopin with a deep-rooted passion for composing film scores. Later on in my youth I began to self teach guitar which led me onto songwriting taking influences from Ben Howard, Newton Faulkner and the Frey. Towards the end of my first year at the University of Chichester, after meeting the band, my motivation to bring out the best in my voice picked up and I trained my voice for several hours a day with a minimum of 1 hour vocal coaching a week. I continue to keep up the daily practise as I am constantly looking for ways to push my voice and so that I can maintain it for the duration of my musical career.

Nick: My dad is a music teacher so I’ve been playing music from a very young age on the trumpet and piano, so I have a strong background in classical and jazz. I took up the guitar when I was 12, the drums at 13 and I first picked up a bass guitar when I was 15 after being asked to play in a wind band. My dad has always been my biggest inspiration, making me aspire to be the greatest musician I can possibly be. But Progressive Metal band Tool were the first band I started listening to that wasn’t my dads music, and that was what inspired me to pick up and learn to play the guitar.

Who did you grow up listening to, and does that impact on what you create now?

Ryan: AC/DC, Jimi Hendrix, Pink Floyd, Led Zeppelin. These where the big bands that I used to listen to all the time. These days I listen to more Jazz Fusion such as the Aristocrats, Greg Howe, Allan Holdsworth.

Seb: I grew up listening to Rock and Metal primarily, before shifting more towards Prog Metal and more recently into the quirky realms of Jazz Fusion. Personally, I like to try and put in a little bit of the complexities of Prog Metal and Jazz Fusion into my playing. I get bored if I’m not spicing up my drum grooves just a little. We’re always trying to toe the line between keeping our music accessible to everyone, but also keeping a hint of subtle complexity…mainly for our own amusement!

Tom: I grew up listening to a wide range of genres from classical and jazz to pop punk and rock. A major inspiration of mine is Jeff Buckley this is due to his effortless vocals and emotive language which is something that I aim to achieve through dedication and practise. My inspiration to pick up guitar comes from the funk rock and indie sounds of the Red Hot Chilli Peppers and Foals.

I use a lot of metaphors in my music as I love songs which don’t go straight to the point. Every individual who listens to the music can interpret it totally differently, which for me, makes the music timeless due to its endless possibilities. This realisation came to me from listening to Jeff Buckley and the Arctic Monkeys vocalist, Alex Turner.

Nick: I spent the first decade of my life listening to my dad’s music (Chuck Mangione, Tower of Power, Haydn, Shostakovich) which has had a massive impact on the range of music styles I listen to today as most of it is a mixture of classical, jazz and funk. But after I started listening to Tool, I started listening to more and various contemporary styles of pop, rock and metal such as Muse, Bullet for my Valentine, Toto, Megadeth and Avenged Sevenfold. Later in my teenage years I got more into the progressive side of music such as Pink Floyd, TesseracT, Periphery, Animals As Leaders and Karnivool. All of these bands and styles have had a huge impact on my playing and musicianship. The Classical side helping me to read music and gain skills such as arranging and composing, and the Contemporary and Jazz for my feel, memory and technical side to my playing.

Ryan Guitar photo

How long have you been playing/writing?

Ryan: I first started playing at the age of 5 and ever since then I’ve had guitar lessons where I learnt classical and rock guitar. As for writing I was in a band with the same name (Luna Blue) in college where I met our drummer, Seb. This is where I properly started to write my own music.

Seb: I’ve been playing for far too long now. I think I started at the age of 10? Since then my taste in music has grown and changed. I’ve gone from AC/DC covers to playing along to Prog Metal artists like Meshuggah and Tool. During that time, I’ve been in countless bands, from terrible Nirvana tribute bands who played exclusively in the local village hall, to jazz and function bands playing in bars and pubs. I started writing music with my brother (who plays guitar) when I was very young, and joined a few rock and metal bands in my teenage years. But when I met Ryan and formed (an albeit quite different) Luna Blue, I wanted to stick with it and continue writing more seriously.

Tom: I have been playing piano since the age of seven but prior to that music was still a huge part of my life. I can recall always singing along to 70’s and 80’s hits that I would often hear in the house or on car journeys.
I have been improvising and composing music for piano since I was around the age of 12. This then led me to want to compose and improvise on my dad’s 12 string guitar which is what lead me to learn the standard 6 string guitar. After knowing how to play chords and messing around with different sounds, the vocal melodies came naturally to me and the lyrics were my internal thoughts and emotions.

Nick: I have been playing for as long as I can remember, and I have been writing and arranging since I was 15 in terms of Classical and Jazz. I wrote a lot of contemporary music back then as well but the first time I started writing more accessible contemporary music was when I joined Luna Blue on Bass. Before then I experimented more with Heavy Metal and Prog.

How often do you play live (include details and links for any upcoming gigs)?

We try to gig as regularly as we possibly can. Whenever there is an opportunity to play, we will always try to take it! Below are some of our upcoming dates, but this is always being updated and filled, so check our website for a more extensive list!

Jul 29

Lambs Steyne

Bognor Regis, United Kingdom


Aug 10

Watson’s General Telegraph

London, United Kingdom


Aug 12

The London Stone

Staines, United Kingdom


Aug 25

Hope & Ruin

Brighton, United Kingdom


Sep 09


Brixham, United Kingdom


Sep 29

The Buff Club

Glasgow, United Kingdom


Sep 30

Pi Bar

Leicester, United Kingdom


Oct 04

New Cross Inn

London, United Kingdom


Oct 28

Pavlov’s Dog

Reading, United Kingdom

Seb photo


What has been your favorite moment in music?

In March of 2017 we held our own two-hour long concert back by a 30 piece orchestra on the University of Chichester’s Bishop Otter Campus. This concert took months of hard work, practice, composing and endless rehearsals and organization, but came together to become the favorite moment in our musical career for all four of us. The venue reached full capacity and over £120 for Nordoff-Robbins, a charity chosen to commemorate one of Nick’s closest friends who was hit and killed by a drunk driver the year prior. Bryony aspired to work for the charity, so we dedicated the night to her memory. Luna Blue will be repeating the event with a bigger and better orchestra, new songs and further orchestration in the hopes of raising even more money for Nordoff-Robbins. For more info and updates, please visit our website!

Where is the best place to find you online?

You can find us pretty much everywhere online! Our social media links can be found below:





Itunes & Spotify – (Just search for Luna Blue!)


An interview with: Gulf


Liverpool has spawned many a quality bands over the years, the latest of which comes in the form of psychedelic dream-pop duo Gulf. We had a chat with them about their latest material and their influences in music.

When did you first get into music? What or who Inspired you?

Disco has been a staple from as far back as we can remember, some jazz, some psych and some hip-hop influences blended together and that’s us. We were both born into families with great vinyl collections and when there’s a copy of MJ’s Thriller lying around, everyone’s having a good time and we’re getting an understanding of what great music sounds like.

Who did you grow up listening to, and does that impact on what you create now?

We grew up listening to Michael Jackson, Chic, Stevie Wonder, Earth Wind and Fire. Then we discovered bands like Daft Punk, the Wu-Tang Clan, Jamiroquai and Dungen. They definitely have an effect on our songwriting approach.

How long have you been playing/writing?

We’ve been writing together for around six years now.

How often do you play live?

After playing a gig every other week last year, we took some time off to record our album. Over the next few months we’ll be back at it again with some new material and we’re really excited about that.

What has been your favourite moment in music?

We’ve got a few of these, sharing a stage with The Flaming Lips at Liverpool Sound City, supporting Echo and the Bunnymen and TOPS, who we’re huge fans of. Our Maida Vale live session for Radio 1 with Huw Stephens was pretty special too.

Where is the best place to find you online?

You can find us on Soundcloud and Spotify, just search for ‘Gulfmusic’




In conversation with: John Dylan

john-pos neg with shadow

Unsigned Interviews were lucky enough to be in conversation with dream-pop artist, John Dylan, who talks about his influences, his earliest memories of music and his song writing. Check out the the new video for ‘Get Beyond’ at the bottom!

When did you first get into music? What or who Inspired you?

I don’t remember when I first got into music. I have tapes from when I was 4 or so where I am hosting a “radio show” (i.e. recording into a tape deck). I play records from the likes of The Police, Michael Jackson, The Specials, The Ramones, Marshall Crenshaw, and Sesame Street. I also go from there to playing songs I made up this portable little harmonium, and playing my toy drum set along to the records. My parents both play a little guitar and liked to put on Austin City Limits and VHS tapes of concerts and play records around the house. I just don’t remember it not being that way. 


Who did you grow up listening to, and does that impact on what you create now?

I was too young to enjoy the grunge explosion in person, really… I was in 6th grade or so when Nevermind came out and was underage for the entire 90s. And where I was, which was Tulsa, Oklahoma, was pretty musically desolate. But that kicked things off, I suppose. From there I fell into this rabbit hole as a teenager… Starting with the cooler music blocks on MTV (Alternative Nation, 120 Minutes, Yo! MTV Raps), then into music press (Spin, Alternative Press, Flipside, Maximumrockandroll), then writing for music press (reviewing records for Foxy Digitalis and Punk Planet) and getting into the tape labels (like Shrimper, Catsup Plate, Union Pole, Sing Eunuchs, and Cactus Gum, which I helped out at). At that low of a level, getting a compilation from one of those labels was like MTV — a great sampler of what that label was about. Then you’d send concealed cash and a note and get a handmade tape and a note back. It was wonderful, and personal, and interactive.

I suppose when you vacillate between writing about music and putting other people’s music out, conversing and working with musicians, and then making your own music, it all seems very accessible and like the artifice of pop and the barriers between performer and audience are really stifling and silly. I had very good exposure to people who both took music seriously and took the music industry very unseriously, and who weren’t afraid to do it themselves. I really want to live in that space; in my heart of hearts the democratization of music is really my goal. My hope is that by recording the album at home with me playing all the instruments, self-releasing it, and making the multi-track stems open source, that I am living up to the ethos of DIY and the conversation between artist and listener being 2-way. I want so much to connect with people through this music. In part because in other parts of my life I feel sort of isolated, but also because I genuinely believe that personal contact with the musician makes the healing power of music much more effective. 


How long have you been playing/writing?

As “b-sides” for my first single, I made this 60-track montage of my entire life in recordings. I count that time, which starts in 1993, as the beginning. At the beginning of the montage my guitar playing is very feeble and it progresses from there. Since I got started with drums much earlier, that was always more solid. But whatever might have been going on beforehand, I wasn’t writing any songs until ’93, ’94.  


How often do you play live (include details and links for any upcoming gigs)?

I actually just finished assembling the lineup for our live band so you’ll have to stay tuned. Shows will always be on the front page of john.audio.


What has been your favourite moment in music?

I like the beginnings of new ideas. The birth of Rock N’ Roll with Chuck Berry. The British invasion and The Beatles. Early reggae tracks, early punk tracks, early new wave, early alternative, early g-funk rap, the ascendance of instrumental post-rock. If you grow up with music at a young age you start to get a little numb to ideas that you’ve heard before. I can’t really choose a favourite from all of these, but if we want to talk “formative,” I can say that if you watch the documentary 1991 the Year Punk Broke, try to imagine a 12-year-old me taking all that in and having my mind blown.

I am also very attracted to heavily political music, particularly when that music is offering higher critiques than some contemporary statement on a current event. With something like Bob Dylan’s “It’s Alright Ma, I’m Only Bleeding,” I feel like the better nature of man is being revealed — that a moral universe can exist where we have moved on from our cynical political leadership and we care about getting things right. Also John Lennon’s “Imagine,” and Operation Ivy’s “Here We Go Again.” Not accidentally, I am working with Klaus Voormann, who played bass on “Imagine,” and Jesse Michaels, who was the singer/lyricist of Operation Ivy, on my project as well (they are contributing album and single artwork). I was honored when they agreed. I really see them as complete packages — multimedia talents who worked on music that had the clearest vision of the human condition that I know about — people that are heroes to me. I’m trying to do this all in the best and most meaningful way I know how. I can’t pinpoint that to a moment so much as people through which the right ideals shined.


Where is the best place to find you online?

john.audio is my site and links to all my social media. Look for John Dylan on IndabaMusic.com and start remixing my music. Or John Dylan on pretty much anything (Bandcamp, YouTube, etc). 







GET TO KNOW: Ivy Nations

When did you first get into music? What or who Inspired you?

I spent a lot of time at my grandparents house as a child. My grandfather introduced me to artists such as the Clancy Brothers, Simon and Garfunkel and Bob Dylan from the age of six. I remember hearing “A Hard Rain’s Gonna Fall” for the first time. It’s one of my earliest childhood memories. I would get him to play it over and over again. Later on, I was introduced to the piano at my grans best friends house Mrs. Han. I terrorised that instrument. Hammering at it’s keys and howling along. My grandmother was always mortified, but Mrs. Han would say “just let let him at it Mary!” I guess I have her to thank for my early musical exploits.


Who did you grow up listening to, and does that impact on what you create now?

In my teens I was introduced to Nirvana, having that same day bought a Meatloaf record. Nevermind awakened something in me. I will never forget listening to the album for the first time in the car on the way home from Dublin with my parents and my friend who insisted I buy it on tape. I also recall being with my Dad in the car upon hearing the news that Kurt Cobain had died and the feeling of shock between us. I think grunge really struck a chord with him also.


Years later I would break my two front teeth moshing to “In Bloom” with my friend Peter in our front sitting room. We then tried to gather the remaining pieces of my teeth, before scattering them around my back garden so that when my parents came home we could pretend that the incident happened during a football game. I think the early grunge movement impacted on my writing in ways that I find hard to describe. It fuelled something in me, by giving me a licence to write down those inner teenage angst feelings on paper. I guess, I’ve continued this practice to this day.


How long have you been playing/writing?

As a band we’ve been playing and writing together since early 2016. We each have been writing individually and as part of other groups since our teens.


How often do you play live (include details and links for any upcoming gigs)?

At the moment we are in pre production for our next single, but have some great gigs lined up including a show in the Olympia Theatre on April 7th, and quite a few major Irish festivals in the summer.


What has been your favourite moment in music?

Playing for the first time in the Olympia Theatre last year to a sold out crowd was pretty special for us.


Where is the best place to find you online?

You can find us pretty much everywhere! Our next single “Live by Design” lands on April 7th, on platforms such as Spotify, YouTube, Apple Music, Soundcloud. You can also follow us on Facebook and sign up for our newsletter at our website at ivynations.com

GET TO KNOW: Eden Royals

When did you first get into music? What or who Inspired you?
From a young age, mostly brainwashed by our parents music tastes (Thankfully good ones).
Who did you grow up listening to, and does that impact on what you create now?
All the greats, across all the genres. The impact they have on us is that it inspires us to work hard and make good music. Also FIFA soundtracks, always introducing us to fresh music. Hope to be on there one day soon!
How long have you been playing/writing?
Lloyd and Kenny have been writing, playing live and recording together for around 8 years. 4 years as Eden Royals.
How often do you play live?
We’ve gigged constantly over the last 3 years, far too many to mention. After coming back from our tour in the states we set out to write and record as much material as possible. We are currently finishing off recording material for all our releases this year, so will be looking to book some more shows soon.
What has been your favourite moment in music?
Our favourite moment would have to be a show we played in upstate New York, Binghamton. We had rehearsed the sh*t out of our set, but wasn’t prepared from the drummers kick pedal to brake during the third song. We had to try improvise on our feet. We decided to play an acoustic version of the track, which we had never done before and it worked really well. This bought us enough time to get the pedal sorted and the drummer then came on, holding the pedal in his hand like he won the world cup!
Lloyd recalls – There was no point in talking to the crowd because this dude in a cap and tracky bottoms from Essex, might as well of been speaking another language when talking to the American people. The amount of times I was asked to say ‘Arry Potter’ was beyond a joke!
Where is the best place to find you online?
You can find us on the usual social media sites:
Twitter/Insta @EdenRoyals

GET TO KNOW: My heart is a metronome

When did you first get into music? What or who Inspired you?
We started out as a band about 4 years ago. Well, actually, it all started with Mattis Malinen (vocals and guitar) who wrote a whole lot of music on his own and then busked the streets throughout Europe. When he came back home to Sweden he felt the songs lacked a rhythm section. This is where Gustaf Simonsson (bass) and Felix Carlsten(drums) joined the band.
Mattis used to collect live videos on his harddrive when he was around 15. One day he found a video of the band System of a down playing a show at Big day out festival. The guitarist Daron Malakian was acting crazy, running around stage, spinning around, throwing himself on the ground to play a solo. This is what got Mattis into playing guitar. The rest is history.
Gustaf had been interested in music for his whole life. Growing up in a family with his mother who was an opera singer and grandpa who was a cantor, it was no coincidence Gustaf started to play music at a young age. He did his first live performance as a new born baby, representing “the new year” on a party. He then used to perform on every big family occasion singin’ funny songs alone on stage. When he was 9 years old he was learning how to play the guitar. He was really focused to learn how to play a clean barré chord. He tried and tried, but did not succeed. He got so disappointed and sad that he climbed into a closet, held the door shut from the inside and refused to get out. That is what you call a real musician! Legend says he still walks into his closet when he can’t figure out the right chord for a song.
When it comes to Felix he literally started playing the drums on ice cream boxes, saucepan lids and plastic toys when he was 14 years old. He also liked to go to the kitchen, open the pantry and oven and hit everything that would make a sound. At last, his parents got so annoyed (impressed?) that they finally bought him a drum kit. However, we want to believe that they bought him the drumkit due to that they thought he had talent. Funny thing is that it is the same drumkit as he plays on, on the song “Feel Think”.
As a band, My heart is a metronome takes inspiration from almost everything. Might sounds like a cliché but that’s the truth. We listen to all kinds of music and if the music is good, it’s something to be inspired by.
Who did you grow up listening to, and does that impact on what you create now?
We all listened to different kinds of music and therefore also have different backgrounds. But we feel that it gives us a flexibility and creativity that makes us write cool stuff. We try not to get restricted to what we SHOULD sound like – but how we WANT to sound like. One day we might want to be sound frantic and noisy, another day we might want to sound more chill. But, to answer your question and to mention some of the bands that we listened to growing up – The Beatles, Kings of Leon, Backstreet Boys, Otis Redding, Cannibal Corpse and Madonna. A grand mixture, ain’t it?
How long have you been playing/writing?
Each one of us has been playing music for at least half of our lives. But as a band we’ve played together for about four years now.
How often do you play live (include details and links for any upcoming gigs)?
It depends on in what ”phase” we are – if we are writing new songs, if we are recording new songs or if we have just released new songs. For the last 6 months we’ve been writing A LOT of new songs in our basement rehearsal space (as we write all the music through jamming together). This means that we’ve only played live like 2 or 3 times during this period. But now, after releasing a new single and as we are about to release a new EP, we will play live a whole lot more. Right now, together with our manager Tobias Rosén at Soul City Enterprise, we’re planning our tour throughout Sweden and hopefully some gigs abroad as well. Hopefully we’ll visit the UK again soon…
What has been your favourite moment in music?
It would be time when we were touring the UK for two weeks. It was a very memorable trip since we had to sleep in the car (SAAB 9-3, a really tiny car for three guys to sleep in, trust us!) for 14 days and the fact that we got pulled over by some German cops on Autobahn since they did a ”random” check to search our car for drugs. Of course we didn’t have any drugs (???) but the stop made us miss the ferry back to Sweden so we had to drive all the way instead.
Besides that we’ve played some crazy fun shows in our home country!
Where is the best place to find you online?
The best place to find us online would be on our Facebook (/myheartisametronome), Instagram (@myheartisametronome), on Twitter (@mhiamband) and on Snapchat (@mhiamband).
The best place to find our music online is on Spotify (link: https://open.spotify.com/artist/4aaBqtuCgkgQce4h3lZKDc), Youtube (link: https://www.youtube.com/channel/UCQ_sirsd9qo6wFKnBVv0pHQ), SoundCloud (link: https://soundcloud.com/myheartisametronome-1) or on Amazon/iTunes.

GET TO KNOW: Lasso Moon

1 – When did you first get into music? What or who Inspired you?
Bobby: I got into music and songwriting when I was around 13 through my Dad, he was obsessed with Echo and the Bunnymen. I thought McCulloch was cool as fuck so I decided I’d give singing and writing a bash.
Dan: I started playing keyboard when I was 10 but didn’t get into guitar until I was 15. I’d grown up listening to Meatloaf in my Dad’s van. I had a Beatles chord book and that was all I played until I got bored of that. Then I started writing and recording my own stuff on a cassette player I got from a car boot sale.
2 – Who did you grow up listening to, and does that impact on what you create now?
Josh:Like most bands we all grew up listening to different music. I was obsessed with Slipknot, Korn, Limp Bizkit and Nirvana. We definitely all have different influences but there are common threads. Nick Cave, a lots of Blues music, some boss Liverpool bands, they all help in our creative process
3 – How long have you been playing/writing?
Bobby:- Separately we’ve all been playing and writing since we were kids. We’ve all known each other a long time, in and out of different bands. As LASSO MOON we came together this year .. it just felt right.
4 – How often do you play live (include details and links for any upcoming gigs)?
Josh: As Lasso Moon we’ve only played one gig. We’ve been concentrating on getting the sound right, on getting the recordings to sound right. Putting a bit of music out to give people a taste of what we’d be like live. We rehearse loads and we’ve all played a shit load of gigs in other bands and projects. Bob and Ben toured Russia with Broken Men. We’ve all done a lot of big festivals so we are dead excited to get out and do some boss gigs as Lasso Moon. We have our Kimota Codeine single launch planned for February in Liverpool.
5 – What has been your favourite moment in music?
Dan: With SANKOFA we where signed to a label in Liverpool that only release music on vinyl, Eighties Vinyl Records. My finest moment in music is one of the releases we did for them. It’s a picture disk vinyl designed by Stanley Mouse who did artwork for Greatful Dead and Led Zeppelin. It’s a combination of two dreams, I’ve always loved his posters from the sixties and seventies, it was an honour for him to do it for us and I’d always wanted to release my music on vinyl because it’s analogue,it’s immortal.
6 – Where is the best place to find you online?